Get it On

Fable: Australia’s little record label that punched above its weight

Fable Records was an independent Australian label founded in April 1970 by producer and entrepreneur Ron Tudor. Tudor had previously been a key figure at Astor Records, where he helped shape the local pop scene. When Astor was sold, he launched Fable to maintain creative independence and continue promoting Australian talent at a time when local artists were fighting for airplay against international acts.

Fable Records quickly became known for its distinctive bright label and strong focus on homegrown performers. Tudor’s vision was simple but effective: identify unique Australian voices and give them the production and promotion needed to compete on the national charts. The label struck distribution deals that ensured its releases reached a wide audience, helping it punch above its weight in a competitive industry.

Among Fable’s most successful artists were The Mixtures, famous for In the Summertime and The Pushbike Song. John Williamson released his debut hit Old Man Emu on Fable. There was also the likes of Liv Maessen, Jigsaw, Hans Poulsen, The Strangers, and Drummond which featured members of what became Little River Band.

Brian Cadd, formerly of The Groop and Axiom, worked for Fable in the early ’70s as an A&R manager and record producer. He and Tudor set up the offshoot Bootleg label to which Brian made some successful signings. Bootleg also established a house band to support solo artists.

Bootleg’s artist roster included Brian Cadd himself, the house band called The Bootleg Family Band, Kerrie Biddell, Dutch Tilders, Phil Manning’s Band of Tabalene, Mississippi, Bluestone, Taste and there was even a one-off single by Lobby Loyde.

Fable scored one last hit in 1980 with Mike Brady’s VFL anthem Up There Cazaly, which became the HSV-7 football theme song and the biggest-selling Australian single released up to that time.

Although Fable’s peak was relatively brief, its impact was significant. It had played a crucial role in the early 1970s boom of Australian popular music, helping prove that local artists could achieve commercial success on their own terms. Today, the Fable label is remembered as a pioneering force that helped shape the identity of modern Australian rock and pop.

Also on Bang a Gong: The 1970 radio record ban helped to boost confidence in the Australian music industry

Ron Tudor – Australian music producer, engineer, label owner and record industry executive

SOME FABLE & BOOTLEG SONGS ON BANG A GONG

Click the title to go to the songpage:

Avalanche: Wizard of Love
Bill & Boyd: Santa Never Made it Into Darwin
Bluestone: Wind and Rain
Bootleg Family Band: The Shoop Shoop Song
Bootleg Family Band: Your Mama Don’t Dance
Brian Cadd: Class of ’74
Brian Cadd: Every Mother’s Son
Brian Cadd: Ginger Man
Brian Cadd: The Happy Hour Brigade
Brian Cadd: Let Go
Brian Cadd & Don Mudie: Show Me the Way
Drummond: Daddy Cool
Hans Poulsen: Boom Sha La La Lo
Jigsaw: How Do You Do
Jigsaw: Mademoiselle Ninette
Jigsaw: Yellow River
Liv Maessen: Knock, Knock Who’s There?
Liv Maessen: The Love Moth
Liv Maessen: Snowbird
Mississippi: Kings of the World
Mississippi: Will I
The Mixtures: Captain Zero
The Mixtures: In the Summertime
The Mixtures: The Pushbike Song
Robin Jolley: Marshall’s Portable Music Machine
Smacka Fitzgibbon: The Adventures of Barry McKenzie
The Strangers: Melanie Makes Me Smile
Taste: Boys Will Be Boys

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